Watt, Nate

   Ayudante de direccion desde 1914, director desde 1920, Watt nunca abandono el primer cometido; asi, lo encontramos en los anos 40 y 50 auxiliando, en filmes de cierta relevancia, a Lewis Milestone y Allan Dwan, por ejemplo, Arco de triunfo (Arch of Triumph, 1948), y Ligeramente escarlata (Slightly Scarlet, 1956), respectivamente. Como realizador, dirige, en tre 1914 y 1956, una docena de filmes sonoros, ademas de algunos mudos; la mayoria de ellos son westerns rodados para William Boyd, el popular Hopalong Cassidy.
    Hopalong Cassidy Returns (La rueda del destino). 1936. 71 minutos. Blanco y Negro. Paramount. William Boyd, Evelyn Brent, Gail Sheridan, George Hayes.
    Trail Dust. 1936. 77 minutos. Blanco y Negro. Paramount. William Boyd, Gwynne Shipman, Jimmy Ellison, George Hayes.
    Borderland. 1937. 82 minutos. Blanco y Negro. Paramount. William Boyd, Nora Lane, Jimmy Ellison, George Hayes.
    Hills of Old Wyoming (La ley del revolver). 1937. 75 minutos. Blanco y Negro. Paramount. William Boyd, Gail Sheridan, Russel Hayden, George Hayes.
    North of the Rio Grande. 1937. 70 minutos. Blanco y Negro. Paramount. William Boyd, Bernadine Hayes, Lorraine Randall, Russell Hayden, George Hayes.
    Rustler’s Valley. 1937. 60 minutos. Blanco y Negro. Paramount. William Boyd, Muriel Evans, George Hayes, Russell Hayden.
    Law of the Pampas (El vengador solitario). 1939. 74 minutos. Blanco y Negro. Paramount. William Boyd, Steffi Duna, Russell Hayden.
    Oklahoma Renegades. 1940. 57 minutos. Blanco y Negro. Republic. Robert Livingston, Raymond Hatton, Duncan Renaldo, Florine McKinney.
    Frontier Vengeance (co-d.: George Sherman). 1940. 57 minutos. Blanco y Negro. Republic. Don Barry, Betty Moran.

English-Spanish dictionary of western films. 2014.

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